hadrian6:

Farnese Hercules.   P.Brad Parker. American sculptor. charcoal sketch. 
http://hadrian6.tumblr.com

hadrian6:

Farnese Hercules.   P.Brad Parker. American sculptor. charcoal sketch. 

http://hadrian6.tumblr.com

(via mythologer)

40 notes

sullenmoons:

The Finding of Moses - Lawrence Alma Tadema

sullenmoons:

The Finding of Moses - Lawrence Alma Tadema

(via tierradentro)

135 notes

yasatunobier:

The Spell of the Fire by Konstantin Vasiliev

yasatunobier:

The Spell of the Fire by Konstantin Vasiliev

(via chucrutypilsen)

59 notes

archaeologybabe:

Erechteion- Acropolis Athens

archaeologybabe:

Erechteion- Acropolis Athens

(via temple-of-ishtar)

23 notes

(Source: tremblingcolors)

28 notes

artdetails:

Jose Echena, Samson and Delilah (detail)

artdetails:

Jose Echena, Samson and Delilah (detail)

(via ruber-sanguis)

325 notes

buonfresco:

Albert Bierstadt
Sunlight and Shadow
1862
Oil on canvas, 105.4 x 90.2 cm

buonfresco:

Albert Bierstadt

Sunlight and Shadow

1862

Oil on canvas, 105.4 x 90.2 cm

(via elodiin)

108 notes

sirnot:

ancientart:

Chiron instructs young Achilles, Ancient Roman fresco from the National Archaeological Museum, Naples, Italy.

I need more Roman frescos on my blog.

sirnot:

ancientart:

Chiron instructs young Achilles, Ancient Roman fresco from the National Archaeological Museum, Naples, Italy.

I need more Roman frescos on my blog.

(via ruber-sanguis)

132 notes

ancientpeoples:

Bust of a companion of Ulysses
AD 100-150
Roman (Hellenistic)
(Source: The British Museum) 

ancientpeoples:

Bust of a companion of Ulysses

AD 100-150

Roman (Hellenistic)

(Source: The British Museum

(via mythologer)

122 notes

"Only a God can save us."

Martin Heidegger

The Spiegel Interview (1976)

(via revoltagainsttime-deactivated20)

7 notes

"The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs deeper than death."

Socrates

Apology

(via revoltagainsttime)

(via vulturehooligan)

22 notes

arthistry:

Fragments of the colossus of Constantine in Rome at the Capitolene Museum. The colossus’ face is thought to have been remodelled from its original form, which depicted the likeness of either the Emperor Hadrian or the Emperor Maxentius. The reworking and/or appropriation of old art was widespread in the middle ages. Not only did it save the commissioner a lot of money in terms of labour and materials; in many cases, the ‘reborn’ art retained the connotations it originally held. For example, the colossus reworked into Constantine’s likeness would have held implications of the power and prestige of the older Roman emperors. In depicting himself as a ruler of old, Constantine was telling his subjects he was akin to them in greatness. The term used to define re-used art is spolia (used from the sixteenth century onwards).

arthistry:

Fragments of the colossus of Constantine in Rome at the Capitolene Museum. The colossus’ face is thought to have been remodelled from its original form, which depicted the likeness of either the Emperor Hadrian or the Emperor Maxentius. The reworking and/or appropriation of old art was widespread in the middle ages. Not only did it save the commissioner a lot of money in terms of labour and materials; in many cases, the ‘reborn’ art retained the connotations it originally held. For example, the colossus reworked into Constantine’s likeness would have held implications of the power and prestige of the older Roman emperors. In depicting himself as a ruler of old, Constantine was telling his subjects he was akin to them in greatness. The term used to define re-used art is spolia (used from the sixteenth century onwards).

(via tierradentro)

99 notes

hadrian6:

Muses dancing with Apollo. 1514-23. Baldasarre Peruzzi. Italian. 1481-1537.  
oil on panel.      http://hadrian6.tumblr.com

hadrian6:

Muses dancing with Apollo. 1514-23. Baldasarre Peruzzi. Italian. 1481-1537.  

oil on panel.      http://hadrian6.tumblr.com

82 notes

statuemania:

Richard the Lionheart
by Carlo Marochetti, 1860,
Westminster, London, UK.

statuemania:

Richard the Lionheart

by Carlo Marochetti, 1860,

Westminster, London, UK.

(via separatioleprosorum)

32 notes

caelestials:

Na Pali

caelestials:

Na Pali

(via vidarrphill)

627 notes