Priam at the Feet of Achilles by Jerome-Martin Langlois & Joseph Wencker.
Kali Yuga intifāḍah.
(Source: tremblingcolors)
Reception of the French Ambassador at the Plazzo Ducale, Venice - Canaletto (c.1726 - 1727)
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Giovanni Antonio Canal, The River Thames with St. Paul’s Cathedral on Lord Mayor’s Day, c. 1746
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Library of St. Mark and St Theodore’s column: detail from Bucentaur’s Return To The Pier By The Palazzo Ducale, Canaletto, 1728-29.
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The Fountains. 1787-88. Hubert Robert. French. 1733-1808.
oil on canvas. Art Institute of Chicago. http://hadrian6.tumblr.com
(via temple-of-ishtar)
"For everything in the West is, in a sinister way, serious, tragic, unfree. Everything betrays a sense of deep coercion which, in some, manifests as rigourism, prohibitionism, imperativism, moralist or rationalist intolerance, in others as romantic impulse and human pathos. Crystalline clarity, agile simplicity, detached in a spiritual joy of free play, irony, and aristocratic superiority, all this exists and is conceived of only as a myth. In any thing there reigns instead a sense of identification, of collapse, of greedy interest."
Julius Evola
Pagan Imperialism
(via revoltagainsttime)
(via tremblingcolors)
Detail : The triumph of Scipio. 1500. Andrea Mantegna. Italian. 1431-1506. oil on panel.
(via temple-of-ishtar)